Jul '05 20

We’re used to working globally with people of all ages, religions and races. Here we are challenged to undertake a digital creativity project for a London suburbs school with a high intake of Korean young people, Jo Fletcher reports:

It is common knowledge that the schools in and around London are ever increasing their intake of children from foreign backgrounds. The assumption (if somewhat stereotypical) has always been that these students stick with their own kind and excel in subjects such as science, maths and music because they boast a somewhat ‘universal’ language. Schools see them as an opportunity to raise and improve exam results and to give their school a cultural diversity. But seemingly not much consideration goes on into the emotional effects on a child going into a foreign school in a foreign country. What goes through the mind of a child that has moved to Britain, sometimes on their own, who speaks little English, knows nothing of the culture and is expected to integrate into our education system?

Chessington Community College (based in Kingston, London) contacted Ultralab, knowing that they specialise in improving and developing education through technology. The college wanted to develop a project through which the school’s Korean community could express their feelings and experiences of coming to Britain and learning at Chessington Community College (CCC). Ultralab suggested a project through which the students could make a film and the students would be allowed to take control of what goes on in the film as well as the technical side of film making.

On 13 th of July, Matthew Eaves and Neil Boughen of Ultralab went to CCC to get the film making process underway. They bought with them the computers, camera’s and programme’s the students would need to create their film and set about teaching the kids how to use it. Matthew and Neil were adamant that the contents of the film and how it was created was the students responsibility as opposed to Neil and Matthew arriving at the school and making all these decisions for them. With a typical Korean education being book based, this gave the students the opportunity to work on a practical project devised by themselves while learning along the way.

The film would be for new Korean students starting at the school showing them how other members of the Korean community at the school felt when they first started, what they did to make friends and what their British friends thought when they started. It was structured around a series of interviews with their friends and some of their teachers. The video is structured through a series of interviews with the teachers and what they think of the Korean students in the school, interviews with fellow Korean students and what their experiences of the school were and interviews with some of their other friends on what they think of the Korean students. From the interviews conducted during the project and from film footage, an opinion seemed to be forming among the students’ friends and that was that they were very jealous of their friends. Maybe it was because the Korean students had three days out of lessons which, to be frank, any student at school would be jealous of. But some of CCC’s students who came into the project area during break and lunchtimes, genuinely seemed impressed by the work their peers were doing and were somewhat jealous. The opportunity to learn and teach in new and innovative ways is not only what Ultralab does best but it seems it could be the way forward in nationwide education.

The main application that was used to create the video was a programme called iMovie. iMovie was used to edit and subtitle the pre recorded footage that was used in the live broadcast. Wirecast was the software used to stream the live broadcast. This software (from Vara Software) allows for multi shots and screens to be used to give the effect of a live broadcast, much like a news broadcast. Wirecast allows you to cut together live and pre-recorded material. It uses Quicktime Streaming so that the film can be watched live over the internet or put into a webpage where the film can be accessed. The students used the idea of a live broadcast for their film, and nominated a student to introduce and sign off the film.

The feedback from Matt and Neil at the end of the project was positive and both commented on how it was one of the best school-based projects they had been involved in. The film will be submitted into the BAFTA Interactive Festival as an example of a project where Ultralab offer school children a new way of learning. The film will be put on a BAFTA Interactive Festival DVD and will be seen by people all over the world. The project was not only a success in the quality of the film and the worldwide recognition the College will receive but also convinced the College to invest in a new Apple Macintosh computer and digital cameras so the school can expand its IT department and have similar projects running with students from other foreign nationalities. As some of the interviews with the Korean students suggest, most of them would like to do these kinds of activities again, and just from being around these students it is easy to pick up that what Matt and Neil have taught them will stay with them and will hopefully come back to them at a later time and inspire them all over again.

View the event pictures.

Profile.

What is your name?
Yerin

How old are you?
14

What part of Korea are you from?
Cheong ju

When did you come to England?
Christmas time (6 months)

Do you live here with your parents?
Yes

How many brothers and sisters do you have?
2 brothers

What are your hobbies?
Listening to music

What was the most fun part of this project?
Recording and filming

What was the most boring?
Nothing, it was all fun

What do your other friends in the school think about the project?
They think its interesting and fun, they want to do it.

What was it like when you first started at the college?
Scary, I was nervous

Did each of you have different role or was it a joint project?
We did it all together

Have you used equipment like this before or is it a new thing that you are learning?
No, this was the first time

Would you like to do something like this in the future?
Yes

Now the school has a computer to help you make more films, would you be able to do this again and teach other people?
With the others I could show my friends what to do.

Profile.

What is your name?
Si-hyung Seong

How old are you?
15

What part of Korea are you from?
Seoul

When did you come to England?
2 year half month

Do you live here with your parents?
Yep

How many brothers and sisters do you have?
2 brothers

What are your hobbies?
Drawing play games

What was the most fun part of this project?
Recording

What was the most boring?
Waiting around

What do your other friends in the school think about the project?
Jealous because I’m not in classes, interesting

What was it like when you first started at the college?
Stressed, exciting

Did each of you have different role or was it a joint project?
Did recording

Have you used equipment like this before or is it a new thing that you are learning?
No

Would you like to do something like this in the future?
Yes

Now the school has a computer to help you make more films, would you be able to do this again and teach other people?
Yes

Profile.

What is your name?
Eunju

How old are you?
14

What part of Korea are you from?
Musan

When did you come to England?
One year ago

Do you live here with your parents?
Yes

How many brothers and sisters do you have?
One brother

What are your hobbies?
Listen to music

What was the most fun part of this project?
Recording

What was the most boring
No

What do your other friends in the school think about the project?
Envy us

What was it like when you first started at the college?
Enjoys it

Did each of you have different role or was it a joint project?
Joint project

Have you used equipment like this before or is it a new thing that you are learning?
I have done this before

Would you like to do something like this in the future?
No

Now the school has a computer to help you make more films, would you be able to do this again and teach other people?
No

Report by Jo Fletcher, event journalist.

Oct '03 10

I have spent the past two days working in Christchurch New Zealand with colleagues from our Sister Ultralab to roll out the labs Summer School model as part of potential pilot with TVNZ’s TV2 channel.

The project was to find out what children’s television made by children could be like, using some of the research findings from previous Summer School’s and the Input CBBC pilot from 2002/3. The pilot was also to show Ultralab South how the Summer School model works ready for the big Summer School event right across New Zealand in January 2004.

Some excellent movies were created by the pilot, all ‘Points of View Squared’ and will be included on the 2003 DVD production.

Click to see the pictures taken over the two day period: Day 1, Day 2.

Sep '03 24

Martin Doherty reflects on Ultralab’s ‘Really Creative School Event’ which began on the 12th of September:

Personnel involved: Martin Doherty, Tony Browne, Hamish Scott-Brown, one NCSL Electronic Learning Facilitator (Matt Parrott), two Ultralab researchers providing technical expertise - Matthew Eaves and Matt Sisto

Watch the material produced at the event by clicking here.

Aim of Event:

  • To create a virtual school visit through web broadcasting
  • To showcase a school involved in remodeling their curriculum
  • To create a virtual discussion using web broadcast and simultaneous community discussion
  • To stimulate debate among community members

Event Background:

This event stemmed from the work of the Re-modeling the Curriculum Community, one of the Talk2learn Online Communities, which has been the focus for in-depth headteacher discussions on creativity in schools and the mechanisms for promoting creativity in the school curriculum.

Many of the postings to this community ask for information on how schools start the journey towards being a creative school, what materials are useful in planning and requests for information on how a variety of problems can be overcome. A number of the postings express a wish to visit creative schools to see first hand how things are done. Given the geographical spread of the schools involved visits are difficult to organize and expensive to undertake. In response to these difficulties the Really Creative School Visit Event was constructed

Event Rationale:

The event starts from the premise that if it is difficult to have interested headteachers visit really creative schools then the solution is to have the work and experience of really creative schools made more readily accessible to interested headteachers. This is usually done through the production of reports such as OfSTED’s The curriculum in successful primary schools. Such reports are useful but the text-based format lacks the punch available through using internet and multimedia techniques.

By creatively combining the use of community software, video and internet broadcast technology the team set to organize an event where the work of really creative schools could be revealed to interested parties without the constraints imposed by geographical location, travel and time. The team believed that participation in such an event should help schools starting on the journey to a more creative curriculum practice to foster mutually supportive relationships with like-minded fellow practitioners that will have long term benefits for all parties. In short, the use of video records the practices and the reality of the creative school while the use of broadcast technology allows many interested practitioners to gain useful insights without the creative school being frequently disrupted. In addition the use of community software allows the creation of an on-going support community which, apart from allowing the flow of experience and documentation between schools working in this field, has the potential to develop mentoring between experienced schools and those just starting out on the journey.

Event Structure: Timetable for event of 22nd, 23rd and 24 th September

Pre-event activities:

  • The event is advertised in the Online communities and interested members are contacted to inform them of event.
  • The host schools prepare useful materials and documentation that they wish to share with those taking part in the event. This material is posted in the community.
  • Host schools identify exactly what they would like to be recorded and broadcast thay best reflects the practice of their schools.
  • Host school obtain permission from parents of those taking part in the event remembering that if will be broadcast on the internet.

Friday September 12th:

  • Video making training day for pupils from Claypool PS and Rivington and Blackrod High. An Ultralab team will assist pupils to shoot and edit some videos for broadcast.
  • The video equipment is left in the safe-keeping of the schools to prepare some videos for broadcast on 23rd /24th September.

Monday 22nd:

  • Ultralab team arrive and work with pupils to edit their videos for broadcast
  • Video shooting in Primary School continues on Monday Afternoon

Tuesday 23rd:

  • Video shooting in Primary School continues throughout the day.
  • Online broadcast of footage begins at 10am . Video clips are repeated throughout day to allow heads to dip in and out throughout day.
  • Online community active and accepting questions and comments
  • Shooting in Secondary School continues
  • PM 3 visiting headteacher tour the school with host head and the tour is recorded and snippets broadcast.
  • Possible use of live webcam of discussions on the tour
  • 4.30pm Live Online Broadcast of Panel discussion between visiting heads and host head with the theme of Fostering a Creative School

Wednesday 24th:

  • Video shooting in Secondary School continues throughout the day.
  • Online broadcast of footage begins at 10am . Video clips are repeated throughout day to allow heads to dip in and out throughout day
  • Online community active and accepting questions and comments
  • PM 3 visiting headteacher tour the school with host head and the tour is recorded and snippets broadcast.
  • Possible use of live webcam of discussions on the tour
  • 4.30pm Live Online Broadcast of Panel discussion between vistting heads and host head with the theme of Fostering a Creative School

Follow up to event:

  • The head teachers of the secondary school and the primary school will co-host a Hotseat discussion in the NCSL in Dialogue Community focusing on the practicalities of Leadership of a Creative School .
  • Video material will be edited and posted in the community as a resource for future development
  • Community items will be posted to encourage the swapping of experience between those who have taken part in the event.
  • Mentoring possibilities will be explored between participating schools.

Organisation and Changes

The event ran more or less to plan but certain technical challenges were not overcome. The most notable of these was the inability of the LEA to clear the gateways through their systems to allow the internet broadcast from Claypool Primary School to take place. Due to this last minute hitch the broadcast had to be abandoned with the material being recorded and placed as a streaming internet broadcast after the event. The Live Panel Broadcast did take place from Blackrod and Rivington High School using an ISDN line that did not use the LEA systems.

All the video material pupil videos, school tours and panel discussions are now available for viewing from the Really Creative School Visit Event Page in NCSL in Dialogue in a streaming format which allows 24/7 viewing of the material by any NCSL member.

Outcomes:

  • The event allowed two creative schools to showcase their methods to others.
  • A valuable resource has been created for any school wishing to begin the journey to a more creative curriculum.
  • The pupils and staff of two schools have been trained in valuable video techniques which they plan to extend.
  • It has been illustrated that using readily available and relatively inexpensive computer and video equipment any school can showcase their practice and share it with others.
  • Young pupils can plan, make and edit interesting documentary style videos with a minimum of teacher input.
  • Another technique has been demonstrated which may be used with NCSL programmes eg Network Learning Communities and Local Network Communities to further their work.

Lessons Learned:

  • It is difficult to interest busy schools in this type of experimental activity. Some thirty schools from the Ofsted report were contacted before the host schools were identified. In the end the host schools agreed because of the relationship build up with the facilitator in other activities.
  • The event demonstrated that the combination of video footage, curriculum development material and community software is a powerful one.
  • Timing of the event is crucial. Sadly with the changes in the software and the login problems being experienced by members hampered attendance at the event.
  • The event could have benefited from more advertising.
  • Streaming video, while currently prone to bandwidth issues, is a powerful addition to the techniques available to bring the work of schools into the online community in a real and graphic way.
  • LEAs require very substantial notice to prime Firewalls, and allow FTP access.

Recommendations:

  • The techniques developed being explored further during other events e.g. Ultraversity PR material, from zero to hero, an everyday Teaching Assistant’s rise.
  • The possible links with Network Learning Communities attempts to have schools share practice be explored further.
  • Training for ELFs in these techniques should be considered.

Watch the material produced at the event by clicking here.

View some of the pictures taken during the event.